What's Inside?
- Timothée Chalamet’s proven box office draw and Oscar momentum make Marty Supreme one of the most anticipated films of 2025.
- With A24’s highest-ever $70 million budget, Marty Supreme signals strong confidence in its potential to break studio box office records.
- A Christmas release, award season buzz, and a star-studded cast could push Marty Supreme past Everything Everywhere All at Once.
A24, long celebrated for its indie gems, is stepping into new territory with big-budget films, and the upcoming Marty Supreme might just redefine its success story. With Timothée Chalamet leading the cast, a prime Christmas release date, and Oscar buzz already swirling, the film is positioned not only to charm critics but also to shatter A24’s box office records. Here’s why Marty Supreme could become the studio’s highest-grossing movie to date.
Timothée Chalamet’s Star Power Makes Marty Supreme an Event Film
When it comes to drawing crowds, few actors in Hollywood currently match Timothée Chalamet’s momentum. In recent years, he has balanced critical acclaim with undeniable box office appeal. Films like Dune: Part Two and Wonka proved his ability to lead blockbusters, grossing over $600 million each worldwide. Even his smaller projects — such as A Complete Unknown — found impressive box office legs thanks to his presence.
Marty Supreme, loosely inspired by legendary table-tennis champion Marty Reisman, plays directly into Chalamet’s strengths. The role offers him another chance to showcase his range in a performance-driven narrative while also appealing to mainstream audiences hungry for prestige cinema. A24 knows this, which is why the studio has already begun its marketing push months ahead of release. For fans, the name “Chalamet” itself signals quality, artistry, and spectacle.
Chalamet’s career trajectory also suggests that he is edging closer to Oscar glory. With five films nominated for Best Picture in just six years, he has positioned himself as one of his generation’s defining talents. His recent SAG Awards speech revealed his ambition: “I want to be one of the greats of my generation.” Audiences are buying into that journey. Watching him take on Marty Supreme feels less like seeing another movie star in a biopic, and more like witnessing the evolution of a cultural icon.
The timing couldn’t be better. Chalamet has essentially become the “king of December releases,” with Wonka, A Complete Unknown, and now Marty Supreme all premiering during the holiday season. This consistency builds a psychological link for audiences: December means a Chalamet movie worth watching. That release strategy has worked for other actors like Leonardo DiCaprio, and A24 is clearly banking on a similar effect.
Why Marty Supreme Has All the Elements to Break A24 Records
Beyond Chalamet’s star power, Marty Supreme benefits from nearly every box office booster imaginable. The film’s $70 million budget is the highest in A24’s history, signaling that the studio has extraordinary confidence in its commercial potential. When A24 previously took a chance with Civil War at $50 million, the gamble paid off with $127 million at the box office. If history is any indicator, Marty Supreme is poised to climb even higher.
Another key advantage is its release date. A Christmas launch gives Marty Supreme extended legs through January and February, when competition from other big-budget films typically slows. Past films like A Complete Unknown proved how December releases can multiply their earnings through sustained audience interest long after opening weekend.
Sports dramas also have a proven record of box office resilience. The Creed franchise, for instance, has consistently outperformed expectations, with Creed III earning $275 million globally. A24 has also seen strong returns in this genre: The Iron Claw tripled its budget worldwide. Even though table tennis isn’t a mainstream sport, audiences have shown a willingness to rally around compelling sports narratives, especially when they double as character-driven dramas.
The film’s creative pedigree further boosts anticipation. Josh Safdie, returning after his breakout with Uncut Gems, directs Marty Supreme. His last collaboration with A24 delivered the studio’s then-biggest domestic hit and redefined Adam Sandler’s career. That history suggests Safdie can deliver box office gold again, especially with Chalamet at the center.
Adding to the allure is the star-studded supporting cast. Gwyneth Paltrow makes her first non-Marvel appearance in a decade, Tyler, the Creator makes his acting debut, and even Kevin O’Leary of Shark Tank fame joins the lineup. For audiences who might not initially be drawn to a ping pong drama, these unexpected casting choices could spark curiosity.
Finally, awards season buzz cannot be overlooked. Early predictions already place Marty Supreme high on lists of likely Best Picture contenders for 2026. A24 has mastered the art of turning Oscar campaigns into box office momentum — Everything Everywhere All at Once is the prime example, with its earnings ballooning after awards recognition. If Marty Supreme secures nominations, its theatrical run could extend well into spring.
The Bigger Picture for A24
For A24, Marty Supreme represents more than just another release — it’s a defining moment. The studio built its reputation on indie credibility but is now stepping confidently into blockbuster territory. Subscription memberships, savvy marketing, and a loyal fan base give A24 the kind of cultural footprint once reserved for major studios.
If Marty Supreme outperforms Everything Everywhere All at Once and its $144 million global haul, it won’t just be a win for Chalamet or Safdie. It will mark the point where A24 officially transitions from cult favorite to global powerhouse. And judging by the excitement surrounding the project, that milestone looks closer than ever.
Slated for release in theaters on Christmas Day, Marty Supreme also include musician Tyler, The Creator, magician Penn Jillette, Fran Drescher, Sandra Bernhard, and filmmaker Abel Ferrara, to name just a few. Safdie directed from a script written with Ronald Bronstein, with the pair producing alongside Eli Bush, Anthony Katagas, Chalamet and A24.
